Wednesday, February 1, 2012
quiet

quiet

color

color

Tuesday, January 31, 2012
blank

blank

Cilia Tremble (2006) :: Chiyoko Szlavnics

Cilia Tremble (2006) :: Chiyoko Szlavnics

Forms :: Chiyoko Szlavnics
Kindly submitted by imaginarydances

Forms :: Chiyoko Szlavnics

Kindly submitted by imaginarydances

Sunday, January 29, 2012
Structure A_light study_plan drawing by Maja Knochenhauer

Structure A_light study_plan drawing by Maja Knochenhauer

(Source: drawingarchitecture)

follow the code

I believe the principle to build a language is to set it’s basic elements and the rules of their interaction (sintactic and semantic principles)… and then let them talk.

This exercise is an exploration of the mechanism’s possibilites of a typographic light sculpture built by Rob Seward that combines a basic color and position effects, in order to generate a language. This is a series of observations.

Saturday, January 28, 2012

RGB CODE

Aestheticode (by Rob Seward)  is a machine readable and human readable aesthetic encoding system. It is similar in function to a barcode. Its complexity is similar to that of morse code.

Thursday, January 26, 2012
change the code
chromatic typewriter :: Tyree Callahan

By replacing the ink ribbon with paint blocks on an antique typewriter, artist Tyree Callahan has   created a new conceptual instrument in which the notions of paint and  words converge.  Initially started as an experiment to apply watercolor text to a work in  progress, the project grew to the resulting object, aptly named the  chromatic typewriter.

change the code

chromatic typewriter :: Tyree Callahan

By replacing the ink ribbon with paint blocks on an antique typewriter, artist Tyree Callahan has created a new conceptual instrument in which the notions of paint and words converge. Initially started as an experiment to apply watercolor text to a work in progress, the project grew to the resulting object, aptly named the chromatic typewriter.

Tuesday, January 24, 2012


a series of drawings made by appropriating notational elements from  three different systems and one language: graphic notation, musical  notation, American Sign Language (ASL) By Christine Sun Kim

a series of drawings made by appropriating notational elements from three different systems and one language: graphic notation, musical notation, American Sign Language (ASL) By Christine Sun Kim

Monday, January 23, 2012
Roman Haubenstock-Ramati, Alone I, 1974

Roman Haubenstock-Ramati, Alone I, 1974

reactors
(hunting arrows by adapted studio) very nice to play with

reactors

(hunting arrows by adapted studio) very nice to play with




What are your favorite sounds?
My own muffled scream, feedback, planes taking off, and anything rhythmic at 180 bpm.
- Christine Sun Kim

What are your favorite sounds?

My own muffled scream, feedback, planes taking off, and anything rhythmic at 180 bpm.

- Christine Sun Kim

What is sound to you? Two things: ghost and currency. It’s there, but I don’t see it (well,  unless it’s Slimer). And I am aware how much value the society put in  sound, music, and vocal languages. It’s a lot more interesting to  explore a medium that I don’t have direct access to and yet has the most  direct connection to society at large.
- Christine Sun Kim is a deaf sound artists who examines sound through movement, physics, and visual manifestation

What is sound to you?
Two things: ghost and currency. It’s there, but I don’t see it (well, unless it’s Slimer). And I am aware how much value the society put in sound, music, and vocal languages. It’s a lot more interesting to explore a medium that I don’t have direct access to and yet has the most direct connection to society at large.

- Christine Sun Kim is a deaf sound artists who examines sound through movement, physics, and visual manifestation