Erased Symphony is based on the idea that existing cultural narratives are subject to erasure, whereby the focus is not only on evident extinction but also processes of disappearance, revaluation, densification, corrosion, etc. in the telling of national, continental, in this case Western, and hegemonial (hi)stories. In Erased Symphony the Emperor Waltz by Strauss undergoes a gradual process of erasure, albeit not the original version is modified but Arnold Schönberg’s transcription of the waltz from 1925 for flute, clarinet, string quartet, and piano. Amorales printed a version of this score with a specially prepared plotter: He exchanged the cutter needle of the printer with a pencil so it could be erased afterwards. The project takes place in collaboration with Klangforum Wien.